How To Run a Design Critique Unlike a brainstorming meetingwhere the goal is to come up with new ideas, a critique meeting is focused on evaluating a set of existing ideas, and possibly identify future directions or changes. Goals of a design critique A design critique involves a small group of to discuss a set of sketches or prototypes. If there are 3 or 4 specific questions you want answered, define them.
Students writing in a second language are also faced with social and cognitive challenges related to second language acquisition. L1 models of writing instruction and research on composing processes have been the theoretical basis for using the process approach in L2 writing pedagogy.
However, language proficiency and competence underlies the ability to write in the L2 in a fundamental way. Therefore, L2 writing instructors should take into account both strategy development and language skill development when working with students.
This paper explores error in writing in relation to particular aspects of second language acquisition and theories of the writing process in L1 and L2. It can be argued that a focus on the writing process as a pedagogical tool is only appropriate for second language learners if attention is given to linguistic development, and if learners are able to get sufficient and effective feedback with regard to their errors in writing.
Introduction The ability to write well is not a naturally acquired skill; it is usually learned or culturally transmitted as a set of practices in formal instructional settings or other environments.
Writing skills must be practiced and learned through experience. Writing also involves composing, which implies the ability either to tell or retell pieces of information in the form of narratives or description, or to transform information into new texts, as in expository or argumentative writing.
Perhaps it is best viewed as a continuum of activities that range from the more mechanical or formal aspects of "writing down" on the one end, to the more complex act of composing on the other end Omaggio Hadley, It is undoubtedly the act of composing, though, which can create problems for students, especially for those writing in a second language L2 in academic contexts.
Formulating new ideas can be difficult because it involves transforming or reworking information, which is much more complex than writing as telling. Indeed, academic writing requires conscious effort and practice in composing, developing, and analyzing ideas.
Compared to students writing in their native language L1however, students writing in their L2 have to also acquire proficiency in the use of the language as well as writing strategies, techniques and skills. They might also have to deal with instructors and later, faculty members, who may or may not get beyond their language problems when evaluating their work.
Although a certain amount of consciousness-raising on the part of the readers may be warranted, students want to write close to error-free texts and they enter language courses with the expectations of becoming more proficient writers in the L2.
I argue that the process approach to instruction, with its emphasis on the writing process, meaning making, invention and multiple drafts Raimes,is only appropriate for second language learners if they are both able to get sufficient feedback with regard to their errors in writing, and are proficient enough in the language to implement revision strategies.
A brief survey of the nature of L2 writing and L1 models of the writing process illustrates why it is difficult to apply L1 research to a model for second language writing. Further, certain social and cognitive factors related to second language acquisition show that strategies involved in the language learning process also affect L2 writing.
With a discussion of these factors, fundamental questions about error in writing and L2 proficiency are raised. It should then become apparent that the process approach to writing instruction can only be effective if these two components are taken into consideration.
However, their purposes for writing are sometimes not the kind valued by Western academic communities. In addition, the culture-specific nature of schemata--abstract mental structures representing our knowledge of things, events, and situations--can lead to difficulties when students write texts in L2.
Knowing how to write a "summary" or "analysis" in Mandarin or Spanish does not necessarily mean that students will be able to do these things in English Kern, As a result, any appropriate instruction must take into consideration the influence from various educational, social, and cultural experiences that students have in their native language.
In addition to instructional and cultural factors, L2 writers have varying commands of the target language, which affect the way structural errors are treated from both social and cognitive points of view. Much of the research on L2 writing has been closely dependent on L1 research.
Although L2 writing is strategically, rhetorically, and linguistically different in many ways from L1 writing Silva,L1 models have had a significant influence on L2 writing instruction and the development of a theory of L2 writing.
However, a look at two popular L1 models will give us some insight into the problem of developing a distinct construct of L2 writing. It examines the rhetorical problem in order to determine the potential difficulties a writer could experience during the composing process. The "problem-solving activity" is divided into two major components: By comparing skilled and less-skilled writers, the emphasis here is placed on "students' strategic knowledge and the ability of students to transform information.
However, the social dimension is important too. Indeed, writing "should not be viewed solely as an individually-oriented, inner-directed cognitive process, but as much as an acquired response to the discourse conventions.
In more recent studies that examine the goals students set for themselves, the strategies they use to develop their organizing of ideas and the metacognitive awareness they bring to both these acts, Flower and her colleagues analyze the academic task of reading-to-write to establish the interaction of context and cognition in performing a particular writing task.
One of the problems they note is the transition students are required to make when entering the academic discourse community a peculiar, socially constructed convention in itselfwhere students need to learn how to operate successfully in an academic conversation that implies knowledge of the textual conventions, expectations, and formulaic expressions particular to the discourse.Unlike a brainstorming meeting, where the goal is to come up with new ideas, a critique meeting is focused on evaluating a set of existing ideas, and possibly identify future directions or benjaminpohle.comd of hoping informal discussions will resolve hard issues, its worth setting up .
>> The College Guide to Essay Writing is designed to teach college-level writing skills. The book lays out a straight-forward, easy-to-comprehend, step-by-step process for writing college-level essays.
Writing Spaces is an open textbook project for college-level writing studies courses. Each volume in the Writing Spaces: Readings on Writing series contains peer-reviewed collections of essays about writing—all composed by teachers for students—with each book available for download for free under a Creative Commons license.
The Purdue University Online Writing Lab serves writers from around the world and the Purdue University Writing Lab helps writers on Purdue's campus. Write an Effective College-Level Essay you will learn tips, ideas, and strategies for researching and writing your college-level essays.
Requirements High School level English writing skills; Basic document editing software (Google Drive or Microsoft Word) you will learn the basics of good research and effective organization. Welcome to the Excelsior College Online Writing Lab (OWL), an award-winning open education resource offering multimedia support for writing and reading.