A late 18th century French print of the work is titled The Paternal Admonition, apparently believing it showed a father reprimanding his daughter, but modern art historians see it as a conversation between two prospective lovers, either a discussion of a betrothal or, more likely, a customer propositioning a prostitute in a brothel. The painting shows a man talking to a young woman. The woman is dressed in an exquisite silver satin gown which immediately draws the viewer's attention to her as the focus of the scene, while the man is in military dress and holds a finely decorated hat on his lap. Next to the man sits an older woman drinking wine, seemingly uninterested in the conversation between the man and the girl.
From about to he was in Germany. It includes more than 50 recognizable portraits. The painter asked for this work the enormous price of 6, guilders.
Obviously, no buyer was found, for the picture was in the hands of his widow after his death. After a stay in Madrid Gerard ter Borch finally moved back to his own country at the end ofwith a stop in Brussels, where he received a gold chain with a metal bearing an image of the Spanish kings.
In he settled in Deventer, where he became a member of the town council. There he won both professional and social success.
After beginning his career with guardroom scenes, ter Borch turned to paintings of elegant society. His gifts for delicate characterization and exquisite depiction of fine materials ideally suited for it.
His best-known artwork, the subject of a charming passage by Goethe, was the so-called Parental Admonition His characteristically delicate technique could be appreciated in the portraits of small almost miniature scale.
However, many of them were full-length. In colour his paintings tended to be subdued, mainly because of the sober costume of the times.
In his earlier years, he painted many guardroom subjects in the manner of Pieter Codde and Willem Duyster. Later, from about the time when he finally settled in the Netherlands, he painted calm, exquisitely drawn groups, posed easily and naturally against shadowy backgrounds and full of an almost aristocratic elegance.
Terborch was a teacher of Caspar Netscher. He also influenced some other artists, including Eglon van der Neer.Gallant Conversation, Known as ‘The Paternal Admonition’, Gerard ter Borch (II), c. oil on canvas, h 71cm × w 73cm More details With psychological sensitivity, Ter Borch here depicted three figures in .
Paternal Admonition /55 Procession with Flagellants c. /40 A boy caring for his dog c. Woman writing a letter c. Gerard ter Borch Three soldiers making merry c. x cm Oil on panel Private collection. Page of Paternal Admonition by TERBORCH, Gerard in the Web sipping from a glass, Goethe interprets as the young woman's mother, who lowers her eyes so as not to be too attentive to the 'father's admonition'.
This moralizing title, however, is without foundation and not in accordance with Ter Borch's usual themes. The authoritative. Gallant Conversation, known as 'The Paternal Admonition' Gerard ter Borch Around - Around Rijksmuseum Amsterdam, Netherlands The scene is in fact set in a brothel: the man is a customer, the elegant young lady is the prostitute, and the woman just taking a sip from her glass is the procuress.
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The bed in the background and the. 'Gerard ter Borch situates the quiet, reflective activity of letter-writing in the traditionally boisterous environment of the guard room.' Source: Philadelphia Museum of Art Officer Writing a Letter, with a Trumpeter by Gerard ter Borch, Dutch (active Haarlem, London, Amsterdam, Zwolle, and Deventer), - Philadelphia Museum of Art.
Gerard Ter Borch, The Parental Admonition, , Oil on canvas, 70x60cm, Staatliche Museen, Berlin. Justification: The controversy of this artwork is that the artist paid more attention to this fabric in the work than the actual subjects. I think it’s likely that the patron that wanted this painted would be upset that he put more detail into this woman’s dress than any of the people.