The johari window 12 angry men

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The johari window 12 angry men

A jury of twelve men is locked in the deliberation room to decide the fate of the young boy. All evidence is against the boy and a guilty verdict would send him to die in the electric chair. The judge informs the jurors that they are faced with a grave decision and that the court would not entertain any acts of mercy for the boy if found guilty.

Even before the deliberation talks begin it is apparent most of the men are certain the boy is guilty. The rest of the jury resents the inconvenience of his decision. After questioning his sanity they hastily decide to humor the juror 8 Henry Fonda by agreeing to discuss the trial for one hour.

Eventually, as the talks proceed juror 8 slowly undermines their confidence by saying that the murder weapon is widely available to anyone, and that the testimony of the key witness is suspect.

Gradually they are won over by his arguments and even the most narrow minded of his fellow jurors hesitantly agrees with him. Their verdict is now a solid not guilty.

Arriving at an unanimous not guilty verdict does not come easily. The jury encounters many difficulties in learning to communicate and deal with each other. Although the movie deals with issues relating to the process of effective communication this paper will focus of two reasons why they encounter difficulties and how they overcome them.

First, we will apply the Johari grid theory and see how it applies to their situation. If we analyze the Johari grid of each juror we see a large hidden area in the case of all of the men.

Take into consideration, each man is referred to by a juror number, they do not even have the benefit of knowing each others names. These men have never talked before. Each of them come from different situations with individual and unique experiences.

The public area consists solely of the shared information provided during the trial. Their hidden area is immense, resulting in an equally large blind area. The public, hidden and blind areas are relatively the same for each juror before beginning the deliberation. It is the size of the unconscious area that will differ more among the men.

We will see how the contents of the unconscious area will largely affect the decision making process of some of the jurors. The information contained in the unconscious area is unrecognized, it is often the most difficult to overcome.

The johari window 12 angry men

He levels with the others by openly admitting that he does not know if the boy killed his father and solicits feedback in order to make an accurate decision. The movie illustrates the process of leveling and soliciting feedback which can make all the difference. The character with the largest hidden window is the boy on trial.

One man in particular, Juror 3 Lee J.

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Cobb has a sizable unconscious area. He has a troubled relationship with his own son that preoccupies his thoughts. This is alluded to in a conversation between juror 7 Jack Warden and himself.Archives and past articles from the Philadelphia Inquirer, Philadelphia Daily News, and How can the Johari Window theory and principles are used to assist this.

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The timeline below shows where the symbol The window appears in Twelve Angry Men. The colored dots and icons indicate which themes are associated with that appearance.

The colored dots and icons indicate which themes are associated with that appearance.

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