Rhetorical paper o brother where art thou

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Rhetorical paper o brother where art thou

While others are more inclined to say that it fell short of their expectations. By analyzing the intended audience, real audience, implied audience, ideal audience, and universal audience it will be concluded whether or not the rhetorical significance of the artifact rests in its audience.

The Coens nowhere explicitly state an audience for whom they wrote the artifact. However, there is much to be inferred from where Rhetorical paper o brother where art thou movie was first released and to whom.

They originally released it in the United Kingdom on screens. The film then was released in the United States, but only on a scant five screens in December of The film was also submitted in various film festivals before its wider public release date in January They have stated in a number of interviews that they are simply interested in telling a story.

When they start writing, they have no idea which direction they are going to take and what they are trying to say.

Rhetorical paper o brother where art thou

This seems to be the largest indicator that the intended audience is themselves or possibly their peers. Despite the fact that the initial audience was very narrow, that gap widened significantly as seen in the real audience. According to IMDb, there is no significant difference of opinion between the different demographics that viewed the artifact.

Male, female, young, and old all seem to give an average rating of 7 or 8 points out of 10 for O Brother Where Art Thou, although females under the age of 18 gave consistently the lowest user rating for the film with an average of 6. The real audience was likely so varied because the movie contained so many different themes that played to many demographics.

For example, it was a type of love story, which played to women, and it was a crime story, playing to most male audiences. So although not intended to be understood or well-received by a wide audience, the real audience demonstrated just that.

The content of the artifact drew a particular audience as well. The implied audience created by this film had a psychographic common affinity for nostalgia. The love of nostalgia is a particular attitude that is characteristic of many Americans, so when O Brother Where Art Thou featured many old-timey scenes including bluegrass music, an implied audience was created.

The demographics of this particular group would probably be middle to late adults, while some perhaps are of the younger generation. It also seems possible that geographics played a role in the implied audience.

After all, the film takes place in the South which seems to be a culture of its own with ideas and values particular to that region. Although somewhat critical of this culture, via the heavy farce, those who are familiar with Southern culture likely were drawn to the artifact.

Consider the scene in which the three convicts encounter the Bible salesman. This would no doubt strongly resonate with those people who grew up in or around the Bible-belt region of the South.

So although not necessarily what the Coen Brothers intended, the implied audience was drawn to the artifact by its content or discourse. Whether or not this was the intention of the author in creating the artifact, the film O Brother Where Art Thou makes an argument targeted at a specific audience to persuade after viewing the artifact.

The ideal audience would view the film and be compelled to change afterward. The argument of this particular artifact would be: The demographics and geographics for the implied audience could be all across the board. Whether a middle-aged businessman discontent with their job or a young female who is unsure of what to do with her life, the message of this artifact plays to their particular needs.

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What is most important in regards to implied audience is psychographics. Here the author of the artifact is assuming a particular belief about his audience and hoping it is a variable belief and not a fixed belief.

The values of this audience in the case of this artifact would probably be unsure to begin with, but after viewing the artifact it seems the Coen Brothers may be trying to suggest his audience adopt the self-actualization theory.

This theory was made prominent by Abraham Maslow and is defined as the motive to realize one's full potential. In his view, it is the organism's master motive and the only real motive to actualize itself as fully as possible as the basic drive As the movie progresses, the audience finds out that Everett actually has a goal to strive for.

Thesis: O Brother, Where Art Thou? … | 30 Pages

He has the potential to go back to his wife and be the father to his six little girls again, but he has a journey to go on before he gets there. In this, it is shown that the ideal audience for the artifact O Brother Where Art Thou are those who are at an indifferent place in their lives and would be persuaded to become their full potential.

Finally, the artifact necessitates one final audience and that is the universal audience. This audience is not tangible in nature, but rather the ultimate judge of the artifact.Abstract: To the ancient Israelite ear, the name Ephraim sounded like or connoted “doubly fruitful.” Joseph explains the naming of his son Ephraim in terms of the Lord’s having “caused [him] to be fruitful” (Genesis ).

The “fruitfulness” motif in the Joseph narrative cycle. O brother where art thou odyssey comparison essays.

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By Evan Mantyk. From least greatest (10) to greatest greatest (1), the poems in this list are limited to ones originally written in the English language and which are under 50 lines, excluding poems like Homer’s Iliad and Edgar Allan Poe’s “Raven.” Each poem is followed by some brief analysis.

Jan 01,  · In conclusion, just as was true of the generic criticism, O Brother Where Art Thou? finds much of its rhetorical significance in its author. The question is then, how much? It seems as if, approximately, 60% of the significance lies in the author and 40% lies in the benjaminpohle.com: The Do-er.

Analysis: O Brother, Where Art Thou?

Rhetorical paper o brother where art thou

() The film O Brother, Where Art Thou? () depicts the use of mainly high key lighting transitioning with low-ley effects to evoke emotions of the viewer.

The film also uses monochromatic tones in the lighting with hues of brown and gray to give an 8 mm film effect— giving a nostalgic old time feeling to the picture. Jun 09,  · A.O. Scott and Manohla Dargis rank the best films made since

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