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Mary's Episcopal Church 50 W.

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Co-founder of the Seattle Experimental Opera. Acclaimed composer of sacred music. Associate editor of esteemed academic journal Perspectives of New Music.

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Co-author of a forthcoming book on Christian Wolff, a member of the legendary 20th-century New York School of experimental composers.

Yet that's the spirit that embodies Asplund's monthly Avant Vespers series, which began in June at St. Mary's Episcopal Church in Provo.

From outsider jazz and experimental classical music to spoken-word poetry, Avant Vespers is all about pushing boundaries and shaking up the sometimes-staid atmosphere of classical music in a more inclusive, populist space.

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When he moved downtown and composed a piece called "The Passion and Resurrection of St. Mary's music pastor Serena Kanig Benish recruited him to perform it at the church, which boasts more than just a piano and a pipe organ.

According to Asplund, who's performed all over the world, the church features some of the finest acoustics he's ever encountered.

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I really like the space, its vibe, its acoustics, its location and, most importantly, its people. But the unifying theme of the monthly series remains innovation and outside-the-box exploration. Referencing the term "vespers" and its common definition as late afternoon or evening prayer, Asplund says the series remains firmly non-denominational but committed to exploring the spiritual connections of music and art.

Mary's defines its mission or stewardship as being over the community, not just its members," Asplund says. For them, sponsoring artistic events is serving as a force for good.

They have a program called Community Music Outreach, so Serena was very open to this kind of performance. So he remains open to curating artists who work out of many different spiritual traditions. Referencing the holiness bestowed upon peer review by the ivory tower, he says traditional academic questions like "Did someone invite you to perform at a prestigious venue?

Instead, he cites his own personal passion as motivation for the series. Sometimes it's tricky to make a case for that to my bosses. But what I've always said is that musical events are compositions in and of themselves.

Creating an environment where creativity can flourish is a type of artwork. Some people perceive music making to be bureaucratic or difficult, especially for those who are not already established. I wanted to create a place and space to be heard for people who aren't extroverted or savvy but have interesting voices.

With Avant Vespers, hopefully they can break through. No matter what, he says it's always a diverse audience: Such a wide-ranging bill might seem radical in the classical music world, which adheres more strictly to hidebound tradition than nearly any other art form.

But Asplund says it's par for the course with Avant Vespers. People are seated really close to each other, and you're not supposed to get up to go to the bathroom. Even if you like what you hear, you're discouraged from clapping—until you're supposed to clap.

I don't like those situations. I want different kinds of people to come to Avant Vespers and feel comfortable.Learn about Lake City history, attractions, jobs, schools and colleges, churches, businesses, government, and much more all from one well-organized page.

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